论“五四”话剧戏剧冲突的内化——以两部《孔雀东南飞》话剧为考察对象

On the internalization of dramatic conflict of the May Fourth drama——Taking two A Pair of Peacocks Southeast Fly plays as the object of study

在"五四"话剧的戏剧美学发展历程中,戏剧冲突由外化向内化的转变是其一个明显的特征。以1920年代北京女子高等师范学校学生合编的《孔雀东南飞》话剧与作家袁昌英创作的《孔雀东南飞》话剧为代表,分别在戏剧冲突的发生契机、戏剧冲突的发展过程以及戏剧冲突的爆发环节三个层面上体现出这种由外转内的审美转变。这是"五四"话剧由强调二元对立的人与社会矛盾向探索人类复杂的内心矛盾的转变,是"五四"启蒙视角的拓展与对"人"在认识上的深化。

The change of dramatic conflict from the externalization to the internalization was a distinguishing feature in the development of aesthetics of the May Fourth drama. Taking as representatives the two A Pair of Peacocks Southeast Fly plays created by the students of Beijing Female Higher Normal School and Yuan Changying in the 1920s, the turning points, the development and the outbreak of the dramatic conflict reflected concretely this change of aesthetics. This was the change of the May Fourth drama from the contradiction between man and society to the complex inner contradiction of man, and was the expansion of the May Fourth enlightenment and the deepening of the understanding of man.