诺斯替漫游癖、文物收藏价值观与反弗洛伊德主义——《没有向导的旅程》的犹太女性创伤叙事解析

Gnostic Planomania,Values on Collection of Antique and Anti-Freudianism:Studies on Jewish Feminist Trauma Narration in Unguided Tour

苏珊·桑塔格短篇小说《没有向导的旅程》在其成为经典作家的文学旅程中有着不可忽视的作用。然而,国内学者对其短篇小说的研究远远少于对其理论批评与长篇虚构文学的研究。本文从作家主体作为犹太女性的创伤叙事的研究角度,主要从种族创伤叙事、信仰创伤叙事、文化创伤叙事、情爱创伤叙事四个方面审视她创伤叙事的思想轨迹及其艺术特色,并探索其自我与写作的关系。本文认为,作家对"旅行"的"嗜好"和对欧洲文明与美国文化冲突的认知与情感体会体现了作家主体犹太女性身份的种族、信仰、文化和情感多方面诉求,而这些诉求是通过其独特的创伤叙事实现的。

Although Susan Sontag＇s short novel Unguided Tour has played an important role in her literature Canon way,We Chinese scholars have paid less attention to it than to her critic works and long fictions.From the perspective of the author＇s subjectivity as a Jewish female writer＇s traumatic narrator,this paper watches her thinking imprint and her artistic characteristics from four prisms such as racial trauma,belief trauma,cultural trauma,emotional trauma and proceed to search the relationships between self and writing.This paper finds out that Susan Sontag＇s addiction to traveling and her cognition and emotion towards European Civilization conflicts with American culture reflect appeals of her subjectivity as Jewish female identification concerning race,belief,culture and emotion,which have realized by her unique traumatic narration.