明代北水陆法会壁画图式空间表达与审美承载探究

The Space Expression and Aesthetic Bearing of the Northern Shui-Lu Rite Murals in the Ming Dynasty

我国现存明代水陆法会壁画是依据北水陆仪轨——《天地冥阳水陆仪文》而完成的,是典型的北水陆法会壁画。画面经营充满智慧:其突出的对称统一、绘塑合一、以"动"取"势"等审美规律在明代水陆壁画图示空间表达中起到了支撑作用;壁画审美承载具有明显的时代特征:注重世俗情怀、装饰化和程式化风格的审美传达,体现了强烈的民族化和世俗化创作倾向。

The existing Shui - Lu rite murals of the Ming dynasty in our country, completed according to the Northern Shui - Lu rituals Tian Di Ming Yang Shui - Lu Rituals, are the typical wall paintings of Northern Shui - Lu rites, a Buddist meeting. The picture was full of wisdom ： the leading space expression of aesthetic laws like symmetric unification, combination of painting and molding, and gaining power by motion; the aesthetic bearing of obvious time characteristics ; the aesthetic conveyance of worldly feelings, and decorative and stylized modes, which reflects the creation tendency of strong nationalization and secularization.