摘要
唱片是有声艺术的物质载体。诞生于20世纪初的中国唱片工业仅比世界唱片工业稍晚数年。中国唱片的发展历程,反映了中国社会从古典向现代的转型,反映了中国美学现代性从量变到质变的转进,反映了中国初始的现代文化从侧重"人的解放"到侧重"民族独立"的转变。而这一切基于中国社会的特殊性和中华民族奋起的艰巨性。
The record is the physical carrier of sound art.The Chinese record industry,born in the early 20 th century,is only a few years later than the world record industry.The development course of Chinese records reflects the transition of Chinese society,from classical to modern,and embodies the sublimation of the Chinese aesthetic modernity from quantity to quality.It also presents that the initial modern culture of China has changed from the focus on"human liberation"to"national independence".And all of this is based on the particularity of the Chinese society and the magnitude of the Chinese national rejuvenation.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2016年第6期91-96,115,共7页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
基金项目:上海师范大学重点学科艺术学
哲学学科研究成果
关键词
唱片
审美文化
现代转型
record
aesthetic culture
modern transformation