摘要
在《青瓷》《红袖》《皂香》《新青瓷》等一系列小说中,浮石以自己独特的视角和力透纸背的现实批判性,在当今政治文化生态背景下,还原都市男女在官场、商场和情场中的人生百态,表现他们在社会转型时期的价值危机和精神困境,并在对政治文化生态的反思中将文本的意义指向有关人的永恒性话题——人性、人的价值意义和人的精神救赎,最终达到"劝讽""喻世"的创作旨归。
In the series of novels as Celadon, Red sleeves, Soap Fragrance, New Celadon, Fushi uses his unique perspectives and profoundly critical thinking to restores various life phenomena of urban people in the official, commercial and romantic circle in the ecological backgrounds of todayg political culture, expresses their value cri- sis and spiritual dilemma in the period of social transformation, and points the meaning of the text to some eternal topics related to humans during the reflection of the political culture ecology——humanity, value significance of humans and spiritual salvation of humans, thus finally achieving the creation aim of ＂persuading and satirizing＂ and ＂warning the world＂.
出处
《湖南工业大学学报（社会科学版）》
2016年第5期11-16,共6页
Journal of Hunan University of Technology(Social Science Edition)
