摘要
作为一名相对进步的男性作家,李佩甫的小说《羊的门》仍然存在着浓重的男权思想。在文本中,他通过自荐枕席模式、符号化书写模式、崇拜权力而衍生的"爱情"模式及权力情色不可兼得模式等来刻画女性形象,这些女性形象完全丧失了自我意识,沦落为男性的附属者。由此可见,在当今中国,女性的真正解放仍需很长一段路要走。
As a relatively progressive male writer,Li Peifu has a strong male-dominated ideology in his novel The Gate of Sheep. He depicts the female image through the pattern of the willing girl,the symbolic writing,the love derived from the power worship and the power eroticism. The female images completely lose their self-consciousness and become male adjunct. Thus,in today's China,the real liberation of women still has a long way to go.
出处
《许昌学院学报》
CAS
2016年第6期51-53,共3页
Journal of Xuchang University