莫言小说中的力比多书写与民族文化反思——以《红高粱》、《丰乳肥臀》为例

In Mo Yan's novel writing and cultural reflection of libido

莫言的小说是残酷的,惊醒了国人自我感觉良好的迷梦,同时又无情的掀开了一个骇人的事实:每个人灵魂深处都住着一个上官金童,一个永远也长不大的婴孩儿,渴望着母亲温暖的怀抱,也在向往着不负责任的"自由"和解脱。以莫言为代表的中国作家将力比多书写与文化反思融合在一起,提出了当代思想者应该摆脱婴儿状态拥有独立、自由意志的任务。

Mo Yan＇s novels is cruel,awakened the Chinese people feeling good dream and ruthless opened a shocking fact that each soul is occupied by a Shangguan Jintong,a forever also the long not big child,eager to the warm embrace of the mother,also in yearning for irresponsible freedom and liberation.To Mo Yan as the representative of the contemporary Chinese writers will libido writing and cultural reflection fusion together to contemporary thinkers put forward to establish his own spiritual reflection mechanism,and really get rid of the baby,have their own independent of the free will of the task.