尚意书风与苏轼“自出新意”的书法观

Worshipping Yi Book Style and Spontaneously Producing New Ideas of Su Shi's Calligraphy

魏晋南北朝是中国文人书法艺术审美觉醒的时代。源于魏晋人物品藻的"尚意"书风,它之所以能成为一个书法的审美核心,注重的是书家个人的审美意趣和个性的张扬。纵观苏轼的书法和书论,我们不难感受到苏轼鲜明的书法个性与他澎湃的艺术激情。因此,探索尚意书风及苏轼"自出新意"的书法理论品格,具有把握中国书法审美取向和创作的作用。

The Wei,Jin,Southern and Northern Dynasties were an awakening era of Chinese literati aesthetic calligraphy.The book style of worshipping Yi originated from evaluating figures in Wei,Jin Dynasties.It became the aesthetic core of calligraphy,and it paid attention to the aesthetic sentiment and individual personality of calligraphers.Throughout Su Shi＇s calligraphy and its theory,we can easily feel his bright penmanship personality and surging art passion.We explore the book style of worshipping Yi and spontaneously producing new ideas of Su Shi＇s calligraphy theory,and it will help us grasp the aesthetic orientation and creative role of Chinese calligraphy.