摘要
汉画中的鼗鼓舞形象主要出土于南阳、山东等地;其形象特征有常人类、精干类、滑稽类和女性类;表现形式有双手播鼗站立而舞、播鼗吹箫跽坐而舞、播鼗持箫而舞、播鼗耍坛而舞、群舞等;汉画中的鼗鼓舞与建鼓舞具有渊源近,声相映舞成辉,性相近、礼仪强的特点;与巾舞盘鼓舞有世俗礼俗特征明显,华丽激越端庄幽默一体的特征;与倒立舞的合作呈现出动与静、力与美的特点。
The images of Tao Drum Dance in the carving stones of Han Dynasty were mainly found in the areas of Nanyang and Shandong Province. The features of these dance images include the images of normal human beings,funny people,and females. The movements of the images include standing with both hands playing the Tao drum,sitting with one hand playing the vertical flute and one hand playing the drum,and group dancing while playing the drum. The Tao Drum Dance in the carving stones of Han Dynasty has many similarities with Jian Drum Dance in the aspects of origins,sounds and dancing movements. The Tao Drum Dance has the same features as Jin Dance and Pan Drum Dance,like secularity,magnificence,passion and dignity,which combine the strength with beauty when performing.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2016年第5期7-19,共13页
Journal of Beijing Dance Academy
基金
河南省科技厅课题"中原汉代百戏(杂技)的研究与应用"(编号:15112)
南阳师范学院课题"汉画中的百戏(杂技)研究"(编号:STP2016028)成果之一
关键词
汉画像石
鼗鼓舞
节控
建鼓舞
巾舞
倒立
carving stones of Han Dynasty
Tao Drum Dance
beat control
Jian Drum Dance
Jin Dance