摘要
临海而居的京族人爱唱歌,却不善舞蹈,只有过哈节时,会由几位哈妹跳起专门的娱神舞蹈。这些舞蹈在早年间由越南传入京族地区,并在京族艺人的加工下成为京族传统的祭祀舞蹈。三十年来,京族哈节舞蹈的表演场地、表演人数、表演者所持的道具、表演者所穿的服装、表演时的伴奏、舞蹈语汇、舞蹈调度,甚至是舞蹈种类等都发生了一些变化。本次研究通过田野调查,从文化整体论角度对京族舞蹈的变迁展开研究,总结京族舞蹈变迁的内容、机制及原因,为京族舞蹈的发展提出参考建议。
Dance is not popular in the Jing nationality,but some dancers will perform ritual dance and sing in Hating when the Ha Festival comes. These ritual dances are traditional art of the Jing nationality which spread from Vietnam. The place,the number of people,the props and costumes,the music accompaniment,the action,the dispatch and even the species of the dance have changed over three decades. This paper introduces the dance of Jing nationality,analyzes the changes and summaries the reasons for the changes of the dance. It also makes suggestions on development of the traditional dance of the Jing nationality.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2016年第5期93-97,共5页
Journal of Beijing Dance Academy
关键词
京族
哈节
传统舞蹈
文化变迁
the Jing nationality
the Ha Festival
traditional dance
culture change