摘要
汉代建筑明器是随葬明器从礼器向生活用具转变过程中产生的,是对现实建筑的戏仿与微缩。对"象"的解读成为分析建筑明器的艺术特征、探究其制器尚象设计理念的重点。从仿象、想象至意象,象的内容主导制器活动的呈现方式。制器尚象的设计理念通过仿象、想象至意象,赋予汉代建筑明器独特的造物观念,即从单体器物的模仿性到汉代墓葬模式的理想性,最后呈现视觉形式的神话性。
The mingqi pottery buildings are the result of funeral mingqi's transformation from liqi of life's apparatus,which are the art forms of miniature and conception.The development of the mingqi pottery buildings in shapes and groups obvi-ously expresses the art character of imitativeness,idealism and mythology.Explanation of the conception of"xiang"is the key content in analyzing the features of the mingqi pottery buildings and exploring its design conception—making utensils imitate cosmos.From"fangxiang","xiangxiang"to"yixiang",the conception of"xiang"has been expanded and the form and content of creation have been complicated.
出处
《江苏师范大学学报(哲学社会科学版)》
2016年第6期147-150,共4页
Journal of Jiangsu Normal University:Philosophy and Social Sciences Edition
基金
国家社会科学基金青年项目"汉代建筑明器的造物学研究"(项目编号:15CG151)
江苏省高校哲学社会科学研究项目"徐州出土的汉代建筑明器与城市历史文化记忆研究"(项目编号:2015SJB390)的阶段性研究成果
关键词
制器尚象
汉代
建筑明器
造物观念
making utensils imitate cosmos
Han Dynasty
the mingqi pottery buildings
creation conception