论新时期中国民族声乐发展的时代特征与审美取向

Aesthetic orientations of the ethnic vocal music of China in the new period

改革开放以来的新时期,"多元一体"的经济格局形成与多样化的文化诉求的合法化带来了中国民族声乐发展的多元化、大众化、通俗化的多种审美价值取向并存的局面。标志着中国民族声乐进入了成熟发展的阶段。相比"文革"前十七年与"文革"中革命歌曲,新时期的民族声乐真正走进了人们的内心,切近了人们的生活,歌曲以人民为主体,表达了最广大人民群众的审美趣味与价值追求。通过梳理新时期我国民族声乐的审美表现,探求人民大众的审美趣味和时代精神的价值导向。

In the new period since the reform and opening-up in China,the economic formation of the unity in diversity and the legality of pluralism in cultural demands have led to the coexistence of plurality and popularly in the aesthetic orientations of the ethnic music of China,a mirror of its maturity.Compared with the revolutionary songs before the＂Cultural Revolution＂and during the＂Cultural revolution＂,this kind of vocal music has its roots in the people＇s hearts and lives while the ethnic songs are people-centered and express the aesthetic tastes and values of the common people.This paper discusses the aesthetic orientations of the ethnic vocal music of China in the new period and reveals its epochal spirit,value orientations and aesthetic tastes.