从“意象”及其艺术形态的演绎看传统艺术论的现代性转化——兼涉中西“意象”论之比较

Modern Transformation of Traditional Art Discourse Viewed from the Image and the Evolvement of its Artistic Form:Also on a Comparison between Chinese and Western Image Discourse

"意象"作为中国艺术理论中的重要范畴,贯穿于整个中国文学和艺术的演进过程,并在漫长的历史发展和变化中焕发强大的艺术的和学术的生命力。在中西文化不断碰撞交融、数字技术飞速进步的今天,中国式"意象"不仅没有消失,反而在和西方理论、西方艺术的比较中更显现出其独特的中国质性,在当今技术与艺术共融的背景下,它也会以一种有别于碎片化、仿像化的视角参与对中国艺术理论的再创新,并为世界艺术理论的可持续发展提供一种新的思维方式。文章试图通过对"意象"起源的梳理指出其质性特点,在中西"意象"论的比较中,阐明中国艺术形式的现代性转化和坚守,拓展中国质性的重要性。

Image is a significant category in Chinese art theory, and it runs through the whole evolvement of Chinese literature and art, and it shows a strong art and academic vitality in long historical development and transformation. Today, while Chinese and western theory continually crashes and digital technology advances rapidly, Chinese - style image does not disappear, but rather shows its peculiar Chinese quality when compared to western theory and art. In contemporary context of the integration between technology and art, it will par- ticipate in the re - innovation of Chinese art theory from a perspective different from fragmentization and imitation, and it will provide a new thinking means for a sustainable development of world art theory. In this paper, we try to trace back to the origin of image and point out its characteristics, and try to clarify that it is such an important thing to promote the modern transformation of Chinese art form and adhere to and expand Chinese quality.