悲情、写实与人文关怀——论宋存寿电影的创作特征

Tragic Narrative,Realistic Spirit and Humanistic Care——On the Personality and Tendency of Tsu-shou Sung's Movies

上世纪60、70年代台湾电影界掀起一股新浪潮,众多导演纷纷投入到健康写实主义的创作洪流中,其中不乏日后声播海外的大导演,如李行、白景瑞等。在此期间,台湾导演宋存寿异军突起,他的创作在健康写实主义潮流的裹挟下别开生面。纵观宋存寿导演的诸多作品,可以清晰地看到导演熟稔地运用镜像语言进行独立的精神探求。文章试图通过对宋存寿导演作品的具体分析,与诸多健康写实主义主流影片的比较,突出导演在作品叙事、写实精神和人文关怀三个维度上显示出的美学特质和独立的审美追求。

In the 60s and the 70s of the last century when the Healthy Realism set in Taiwan, so many directors joined in it and created lots of movies. Most of them are so popular overseas, such as Lee Hsing and Ching-Zue Bai. During that time, the movies of the director Tsu-shou Sung were so different from other directors＇ which were created under the trend of the Healthy Realism and they presented specially aesthetic style. By examining Sung＇ s movies, we can learn that how he sticked to his spiritual pursuit with the skillful camera languages. With the analysis of Sung＇ s movies and comparing them to other directors＇, we can find personal aesthetic qualities and pursuit from three aspects of the narrative of works, realistic spirit and humanistic care.