清初词坛“广陵唱和”论略

Discussion on the “Guangling Antiphon Poetry” in the Ci Poetry of the Early Qing Dynasty

清初广陵词坛,王士禛主持风雅,唱和频繁,促进了词创作风气的形成,具有丰富的词学内涵和词学史意义。其中艳词唱和主要表现为对传统花草词风的宗奉;怀古词唱和则在继承传统的同时,更展示了新变的趋向。唱和的词调多以小令为主,长调亦经常被采用,邹祗谟、陈维崧对长调的大量采用具有风向标的作用。王士禛对非主流的豪放词风持有很通融的态度,以他为领袖的"广陵唱和",培养出了豪放词风的代表人物陈维崧,于清初豪放词风的形成意义重大。唱和采用的一调多阕样式体现了词的娱乐功能的回归,并对后世咏物词创作产生了一定的影响。

In the early Qing Ci poetry circle in Guangling, Wang Shizhen hosted many poetry events and promoted the fashion of antiphon creation of the Ci poems, which has profound significance in the history of the Ci poetry. Among these Ci poems, the amorous subject mainly represents a respect to the traditional topics of flowers and beauties, the historical reflection poems inherited the tradition but also have some new trends. Most of these Ci poems are short lyrics, while long songs are also occasionally adopted, for which Zou Zhimo and Chen Weisong were leading the fashion. Wang Shizhen took an inclusive attitude to the non - mainstream bold and unchained styles, under his leadership, the representative of this style such as Chen Weisong was ap- peared, and this has a great significance in the early Qing Ci poetry. The antiphon poetry usually adopt the form of one tone with several sections, which is a returning to the recreation function of the Ci poetry, and gives certain influence to the