摘要
以顾长卫执导的"时代三部曲"中的第一人称叙事策略为切入点,立足于电影叙事学的角度,对《孔雀》、《立春》、《最爱》中的第一人称叙事的设置,以及对因此建构的叙事时间和叙事空间作出解读,以期总结其效果与功能。
Taking the first person narrative strategy in Gu Changwei' s "Time Trilogy" as an entry point, based on the angle of film narratology, this paper analyzes the setting of the first person narration in Peacock, And the Spring Comes, and the Love for Life, gives an interpretation of the narrative space - time constructed by this setting, in order to conclude its effects and function.
出处
《南京师范大学文学院学报》
CSSCI
2016年第4期152-157,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University