摘要
中国经历了一个多价值观导向的时代,作为一个独特的经济体,在一种共性与个性共生的极度扭曲的价值观内,自我的意识被极大地分解在社会不确定的价值系统。在这样的过程中,我们会发现艺术创作的独立性成为一种在创作上的方法论需要再次被提及。野生意识代表着一种自然的生长力。
China has gone through an era directed by sets of different values. As an independent economy, China' s self-conscious lives in a rather twisted spiritual world, where homogeneity and heterogeneity coexist. Such consciousness is then largely disintegrated into an uncertain system of the social values. In this process, we need to restate the idea of independence when discussing methodologies related to art creations. The wild conscionsness refers to a natural force, which tends to be self-dependent in a large social background. The idea of Community, when considered in the perspective of wild consciousness.
出处
《美术文献》
2016年第7期14-17,共4页
Fine Arts Literature