摘要
米盖朗琪罗的作品是自由的、激愤的、深刻的,他的人体表达将造型艺术永远带离了中世纪,其笔下的基督,是一个具体的凡人,一个要用凡人的身躯来追求不朽神性的人。马基雅维里的《君主论》"反"当时无耻平庸堕落之"动",用一种毫不含糊的反叛精神震惊了那个时代。
The works of Michelangelo are free, indignant and deep, his expression of human brings forma-tive art away from the middle age forever, and Christ expressed by him is a concrete man, a man seeking for im-mortal God by a man's body. The Prince by Machiavelli fights against the shameless and mediocre corruptionof that time, shocking that time with a certain rebelling spirit.
出处
《贵州工程应用技术学院学报》
2016年第5期121-127,共7页
Journal of Guizhou University Of Engineering Science