摘要
白俄罗斯作家S.A.阿列克谢耶维奇的作品与其说纪录的是灾难史,不如说是一部人类的"情感史"。文章以阿列克谢耶维奇的代表作《我不知道该说什么,关于死亡还是爱情》为例,探讨其书写情感的艺术技巧。她将真实的情感隐匿于看似毫无表情的客观记录背后,造成触目惊心的效果;将个人记忆带入历史的反思,在叙事结构中积蓄情感;最后以复调的手法,让个体经验与集体情感进行多重对话与共鸣。
As a part of medical activity, praying for recovery also aims at removing the illness on people by praying to the gods. The custom of praying for recovery which was called Dao Ji, has been frequently seen in the local chronicles of ancient Huizhou. It is the scene of the group activities for public epidemic prevention, and the scene of praying for eliminating diseases individually. It is the epitome of Chinese traditional culture, which demonstrate the faith of the general public, the ritual of expelling the ghosts and epidemics, and the connotation of the Filial Piety.
出处
《上饶师范学院学报》
2016年第5期64-68,88,共6页
Journal of Shangrao Normal University
关键词
阿列克谢耶维奇
情感
非虚构写作
叙事结构
复调
Huizhou
local chronicles
praying for recovery
pestilence
the faith of the general public
curing parentsby cutting thigh