展场与现场:“格物”

Site of the Show,Site of the Things

文章简述了由在上海OCAT美术馆举办的"格物"展所引发的一个理论话题:建筑展览的场域是展览实际发生的"展场"还是展览所基于的基地的"现场"?建筑和绘画不同,它没有一个被"再现"的源头,与此同时,建筑又有着比绘画要强得多的与现实的联系。针对国内最近兴起的建筑展览热潮,作者提出并分析了建筑展览中一系列复杂"关系"的命题。

The article reviews an architectural exhibition that is inspired by two sites the gallery at OCAT Shanghai and Hualugang,Nanjing.It discusses about where an architecture show ought to pinpoint：the ＂venue＂ of the exhibition or the ＂starting point＂ of the research？ Architecture is nonetheless similar to art,as it does not necessarily attest to a ＂prototype＂ that shares the verisimilitude with its representation.Moreover architecture would have much stronger ties to reality than its peers in the category of art.The article surveys a series of complicated relations among architecture and its art representation,in museum galleries or on the fields of architectural survey.