期刊文献+

易卜生对中国当代话剧创作的启示意义 被引量:4

The Inspirations of Ibsen's Plays to the Creation of Contemporary Chinese Drama
下载PDF
导出
摘要 中国当代话剧的发展仍然需要易卜生。这一方面与易卜生戏剧的精髓有关,另一方面与中国当代话剧的发展要求有关。易卜生戏剧的精髓在于"自审精神""复象诗学"等,它们使易卜生戏剧最终达到了现代主义与先锋主义完美结合的境地,这对于中国当代话剧充分实现"现代化转型"是颇具启示意义的。借鉴易卜生戏剧的精髓,融会贯通灵活化用,至少可以在三个方面推进中国当代话剧的现代化转型:一是在创作主体方面,从迎合政教转向独立自审,逐步实现戏剧艺术精神的现代化;二是在表现对象上,从社会问题转向个人的内在生命,进而实现戏剧艺术的本体翻转;三是在创作手法上,从传统的现实主义手法转向丰富多样的现代主义手法,创造现代诗化戏剧。 Ibsen’s plays are still of great importance to the development of contemporary Chinese drama.This is because of the quintessence of his plays and also because of the requirements for the development of contemporary Chinese drama.The quintessence of Ibsen’s plays includes"Self-examinations","Polyimage Poetics"and so on,all of which enables his plays to be a perfect integration of modernism and avant-gardism and can provide valuable inspirations to the "Modern Transformation"of contemporary Chinese drama.Learning the quintessence of Ibsen’s plays comprehensively and applying it flexibly can promote the modern transformation of contemporary Chinese drama in at least three aspects:the gradual modernization of the spirit of drama art,with the play writers changing from catering to political education to independent self-examination;the ousia reversal of drama art,with the objects changing from social issues to individual inner life;and the creation of modern poetic drama,with the writing techniques changing from traditional realistic style to diverse modernistic style.
作者 汪余礼
出处 《武汉大学学报(人文科学版)》 CSSCI 北大核心 2016年第6期84-89,共6页 Wuhan University Journal (Humanity Sciences)
基金 国家社会科学基金青年项目(13CWW023)
关键词 易卜生 中国当代话剧创作 现代化转型 Ibsen contemporary Chinese drama creation modern transformation
  • 相关文献

参考文献5

二级参考文献28

  • 1残雪,邓晓芒.现代主义文学中的审美活动[J].花城,2009(3):180-187. 被引量:3
  • 2刘明厚.读易卜生的《约翰·盖勃吕尔·博克曼》[J].外国文学评论,1994(2):99-104. 被引量:1
  • 3安莹,林兆华.林兆华访谈录[J].戏剧(中央戏剧学院学报),2004(1):66-70. 被引量:10
  • 4克努特,张国琳.现代性之根源:易卜生戏剧面面观[J].世界文学评论(长江文艺出版社),2007(1):6-10. 被引量:3
  • 5克里安思·布鲁克斯.《悖论语言》,赵毅衡编.《新批评文集》,天津:百花文艺出版社,2001年,第354页.
  • 6William K. Wimsatt and Cleanth Brooks, Literary Criticism: A Short History, New York: Knopf, 1957, p. 674.
  • 7索伦·克尔凯郭尔.《论反讽概念--以苏格拉底为主线》,汤晨曦译,中国社会科学出版社2005年版,第1页,第8页,第286页,第2页.
  • 8克里安思·布鲁克斯.《反讽:一种结构原则》,《新批评文集》,第376-395页.
  • 9Luuk Lagerwerf, "Irony and Sarcasm in Advertisements: Effects of Relevant Inappropriateness", Journal of Pragmatic.s, Vol. 39, Issue 10(October 2007), pp. 1702-21.
  • 10Linch Hutchen, Irony's Edge." The Theory and Politics of lrony, London and New York: Routledge, 1995, p. 67.

共引文献115

同被引文献15

引证文献4

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部