浙派古琴与易学关系研究——基于文化符号学视角

Study on the Relationship between Zhejiang Guqin and "The Book of Changes" ——Based on Cultural Semiotics

古琴艺术源远流长,被视为"八音之首",在传统文化中影响深远。浙派古琴是古琴诸多流派中历史悠久且极具地方特色的一支。古琴琴学理论中具有鲜明的符号性和象征色彩,反映了传统音乐艺术的文化内涵。而在易学研究中会发现,古琴的琴学文化中某些特征也与《周易》哲学中所统摄的文化符号性存在着内在联系,通过《周易》文化符号所指系统的建构,古琴的文化象征也被纳入到易学庞大的文化符号系统之中。也正因如此,古琴在文化上体现出了儒家哲学的精神和意蕴。

Guqin art, which has a long history, is regarded as ＂the head of eight kinds of music＂ and has a profound impact on traditional culture. Zhejiang Guqin is historic and with very local characteristics in Guqin many genres. Guqin theory has distinctive symbols and symbolic, reflecting the cultural connotations of traditional music art. In the study on ＂The Book of Changes＂, some characteristics of the culture of Guqin and the cultural symbols of ＂The Book of Changes＂ are intrinsically linked. Through the construction of ＂The Book of Changes＂ cultural symbolic meaning systems, eultural symbol of Guqin is also being incorporated into the huge cultural symbols system of ＂The Book of Changes＂. For this reason, guqin culture reflects spirit and implication of the Confucian philosophy.