文学旗手的调整与延安文艺新方向的确立

Adjusting the Standard-bearer of Literature and Establishing the New Direction of Yan'an Literature and Art

设立文学旗手是延安文艺体制建构的基本方式之一。以1942年延安文艺座谈会的召开为分界线,解放区文学旗手的建构经历了前后两个明显阶段,解放区前期文学旗手的建构以鲁迅和高尔基为中心,解放区后期文学旗手的建构以赵树理为中心。解放区前后期文学旗手的调整意味着中国共产党以毛泽东"文艺理论"为主体的延安文艺政策的形成,也表明以工农兵为核心的延安文艺体制的确立,解放区文学的发展由此走向了以"大众化"为方向的体制化。

During the course of Yah＇ an constructing its literature and art system, establishing the standard-bearer of literature was the basic approach. In the Liberated Areas, it underwent two obvious stages with the Yan＇ an Fo- rum on Literature and Art being held in 1942 as a boundary. Lu Xun and Gorky were highlighted before 1942, but after that, Zhao Shuli became the new center. Adjusting the standard-bearer of literature not only implies the Communist Party of China has already formulated its literature and art policies which was largely based on Mao Ze- dong＇ s ＂theories on literature and art＂, but indicates the Yah＇ an literature and art system focusing on workers, peasants and soldiers fell into a pattern.