摘要
本文通过龙岩博物馆建筑雕塑创作心得,研究了如何运用建筑雕塑、公共艺术等方法,实现闽西客家民系诗性的场所表达的目标,及创作过程面临的关键性问题:如民系;诗性;本土化;原创性;集体表达;场所契合;过度雕琢的俗气;古拙描绘等。
through the creative experience of architectural sculptures in Longyan Museum, this article explores how to realize the target about poetic expression of the Hakkas and core problems that occurred during creative process, for example, the sub- nation, poetic characteristics, localization, originality, collective expression, combination of sites, excessive vulgar, primitive crudity style,etc.
出处
《雕塑》
2016年第5期72-75,共4页
Sculpture
关键词
民系诗性
本土化
原创
场所契合
古拙描绘
sub nation,localization
originality
combination of sites
primitive crudity style