摘要
从音乐实践整体的角度来看,汉族传统民歌创作、表演和欣赏三个环节的独立性不强。从音乐创作的过程来看,单独的精神创作这一过程在劳动号子、山歌等汉族民间歌曲当中体现得不是那么明显。从创作所产生的作品特征来看,汉族传统民歌作品所体现的更多是地域性音乐文化的共性,而不是创作者的个性。
In terms of music practice, traditionalfolk songs of Han Chinese lack independence in three aspects, such as creation, performance and appreciation. In terms of music creation, spirit creation is not distinctively reflected in work songs.In terms of the features of the works, the similarities of local music are displayed rather than the personality of the creator.
出处
《河北经贸大学学报(综合版)》
2016年第4期32-35,共4页
Journal of Hebei University of Economics and Business(Comprehensive Edition)
关键词
中国传统音乐美学
汉族传统民歌
美学特征
音乐创作
音乐实践
音乐表演
音乐欣赏
Chinese traditional music aesthetics
traditional folk songsof Han Chinese
aesthetic features
music creation
music practice
music performance
music appreciation