传统与现代的对接:论1980年代以来影视作品中的戏曲元素

The Connection of Tradition and Modernity:On the Elements of Xiqu on Screen since the 1980s

1980年代以来,越来越多的影视作品开始尝试,或通过对多种戏曲元素的叠加,或藉助对某一类戏曲元素的巧妙融合,在镜像中有效地实现了戏曲由传统艺术向现代艺术的身份递嬗与对接。从时代背景看,二者的对接恰发生于戏曲艺术衰退与戏曲元素崛起之际:从形态呈现和思维理念看,这是一种典型的以美学意蕴彰显个性魅力、以碎片拼贴显示价值意义的对接生存方式;从传播发展讲,由这一方式缔造出的影像景观,正是对戏曲艺术生命力的一种创造性延续。

Since the 1980s, more and more film and television productions have effectively transformed Xiqu from the traditional art to the modern art in the landscape of image. From the perspective of the historical background, these transformations coincided with the decline of Xiqu and the rise of its elements in the middle of the 1980s. From the perspectives of artistic forms and thinking modes, it is a typical style to highlight aesthetically the individual charm and to show values in pastiche. And from the perspective of communication and development, the landscape of image created in that way is a creative continuation of the vitality of Xiqu.