摘要
从符号学的角度来看,组合轴上的常规搭配构成展面,非常规搭配构成刺点,刺点促使意义爆发、引人思考或引发人们的悲怆之情。分析影片中相继出现的五个刺点,提供给人们一种全新解读这个电影的另外一种视角,分析其符号所代表的意义,同时也能够窥见贾樟柯的批判意识,使人在观影中反思社会。
From the perspective of semiotics , the conventional collocation of the built-up shaft con-stitutes the surface . Meanwhile , the unconventionality collocation constitutes the pin-prick . Pin-prick promotes the eruption of significance and provokes people ’ s thinking , and it can also trigger people's sorrow . The analysis of five pin-pricks in the film appeared in succession provides a new perspective to interpret the movie for audiences . Through analyzing the meaning of the symbol , it can also detect the critical consciousness of Jia Zhangke . In this case , people can reflect on the society when watching the film .
出处
《乐山师范学院学报》
2016年第10期104-107,共4页
Journal of Leshan Normal University
关键词
《山河故人》
刺点
符号学
Mountains May Depart
Pin-Prick
Semiology