叙述者的魔术--高行健长篇小说的叙述人称之魅

The Narrator's Magic:The Allure of Narrative Persons in Gao Xingjian's Novels

小说文本作为一个表演魔术的舞台,"叙述者"是舞台中心的"魔术师"。在高行健的长篇小说中,作为"魔术师"的叙述者圆熟地挥舞着"叙述人称"这一魔法棒,对小说文本的整体叙述进行全面调度。本文旨在通过归纳高行健长篇小说《灵山》、《一个人的圣经》中叙述人称的存在样态,进而探究这一叙述人称技巧的深层资源,即一种"东方"与"西方"、"传统"与"现代"张弛融通的艺术理念,并深度开掘隐藏在多个叙述人称面具背后的叙述主体"否定之否定"的存在状态,折射出高行健"没有主义"式的深度哲学思考。

A fictional text is a stage for magic performance where the ＇ narrator ＇ is the ＇ magician ＇ on centre stage. In Gao Xingjian ＇ s novels, the narrator as＇ the magician＇ consummately waves the wand of＇ narrative persons＇ to conduct a comprehensive arrangement of the fictional text as a whole. This paper aims at a summing-up of the existing patterns of narrative persons in Gao＇ s novels, Soul Mountain and One Man＇s Bible, and, further, at exploring the resource, at a deeper level, of the techniques involving narrative persons, an artistic concept that connects or distances ＇ East＇ and＇ West＇ or ＇ tradition＇ and＇ modernity＇, on top of excavating the way the narrative subject＇ s ＇ negation of negation＇ exists that lies hidden behind the mask of multiple persons, reflecting Gao＇ s in-depth philosophical thinking on＇ no-ism＇.