《默庐试笔》中的“冰心体”续写

Continuation of “Bingxin Style”of Notes in Molu

作为文言与白话交接时期的产物,"冰心体"无疑在白话文学话语中占有重要的地位。"冰心体"标志着冰心的白话文学语言尝试已形成独有的语言风格。《默庐试笔》虽然"试"于冰心三年的写作断层之后,但仍承接了《寄小读者》等作品的"冰心体"语言风格。以形象生动的细腻描摹、一唱三叹的情思流淌、富于吟咏的音乐美感等审美特征,与作者其他文学作品的语言风格融为一体。所延续的"冰心体"风格的呈现,带给人们以富于语言文化底蕴的审美体验。

As a creation of transition from classical Chinese to vernacular, ＂Bingxin Style＂ undoubtedly plays an important role in the vernacular literary discourse. ＂Bingxin Style＂ marks the language of Bingxin＇ s vernacular literature attempts to form a unique writing style. Although Notes in Molu was written after three years of Bingxin＇ s break in writing, Notes in Molu continues the style in To the Young Readers, that is, vivid and delicate description,lingering emotions flowing, musical aesthetics for chant, which go together with the author＇ s linguistic style of other literary works. The continuation of ＂Bingxin Style＂ guarantees people a rich linguistic and cultural heritage of the aesthetic experience.