辛弃疾对楚骚文化的接受

On Xin Qiji's Acceptance of Chu Culture

楚辞作为继《诗经》后出现的一种诗骚并兼的新的文学样式,其可咏叹的韵律节奏,丰富独特的意象,浓烈而深厚的感伤情怀,极富浪漫主义的表现手法等特征,使楚辞以其巨大的影响力被后世文人代代歌颂。作为1500年后的词人辛弃疾,从屈原身上寻求着精神和文学创作上的共鸣。他的词中多涉及大量具有楚辞特色的词藻、以香草美人意象寄托情怀或直接以屈宋的际遇感慨身世等。辛弃疾的创作在很大程度上被烙上了楚辞的印记。

＂Songs of the South＂ was a new literary style about poets and odes after the emergence of the ＂book of odes＂. It has to chant the rhythm rhythm, plentiful and unique imagery, strong and deep sentimental feelings, very romantic performance practices and other features, which make Songs of the South full of huge in-fluence that praised by Later Scholar from generation to generation. As a poet after 15.00, Xin Qiji seeks the spirit of literary creation and resonance of Qu Yuan. His words has adopted the beauty image to sustenance feel- ings or directly to express emotion with the Encounters of Qu Yuan and Song Yu and so on. Xin Qiji＇s creation has largely been branded on the ＂Songs of the South＂ mark.