摘要
李正一1是中国古典舞教学体系乃至学科体系建设的领军人物。她在构建中国古典舞的体系时,自始至终所强调的就是要从思想上明确地树立起“以民族为主体”的观念,建立民族的、舞蹈的、科学系统的训练体系,创造二十世纪的、中国的、社会主义的新古典主义,从四个方面努力推动“中国古典舞”走向未来。就现有教材而言,我们仍然需要在民族特性上进行补充与完善;就课程建设而言,中国古典舞的教学体系尚未健全;在剧目创作方面,我们还要付出更多的努力;继续加强理论研究,是中国古典舞走向完善的一个不可或缺的步骤。
Li Zhengyi is the leading figure in the construction of both the Chinese classical dance pedagogical system and the disciplinary system. When constructing the system of Chinese classical dance, she always emphasized the concept of "nationality as the principle part" in ideology, establishing national, orchestie, scientific and systematic training system, creating the 21st century, Chinese, socialist neo -classicism and promoting "Chinese classic dance" to march to the future in four aspects. In regard to the textbook, we still need to perfect and complete the nationality; in relation to the curricula, the Chinese classical dance pedagogy is yet to be fully established ; in terms of creation, we still have to pay more effort. Furthermore, continuation of theoretical studies is one indispensible procedure in improving Chinese classical dance.
出处
《民族艺术研究》
CSSCI
2016年第6期55-64,共10页
Ethnic Art Studies
关键词
李正一
中国古典舞
民族舞蹈观
新古典主义
训练体系
Li Zhengyi, Chinese classical dance, perspective on ethnic dance, Neoclassicism, training system