摘要
熊源伟从事戏剧事业已有40多年的历程。在这期间,他导演了80多台个性鲜明的舞台艺术作品,其中涉及话剧、戏曲、音乐剧、滑稽戏等艺术形式。纵观熊源伟的导演理念以及创作实践:从先锋探索开端,坚持实验戏剧;从话剧、音乐剧走向戏曲,无不体现着他的"平民化"追求。他借鉴吸收西方现代派和后现代戏剧,但能够以我为主,以中国传统文化为主体。他的导演艺术从文化角度看,是一种比较完整形态的新市民或移民文化,吸纳后现代艺术主张,具有开阔奋进的精神状态。
Xiong Yuanwei has been engaged in the cause of drama for more than 40 years, during which he directed more than 80 distinctive stage art works which involve drama, opera, musicals, comedy, etc. Xiong Yuanwei's ideas about directing and practice of creation all demonstrate his pursuit of plebification, from his pioneering exploration to experimenting plays and from dramas, musicals to operas. He learns from Western modernist and postmodernist dramas, but always sticks to what he wanted and gives priority to Chinese traditional culture. From the cultural point of view, his directing art is a relatively complete form of new citizens' or immigrants' culture, absorbing postmodern artistic ideas and possessing open and progressive spirit.
出处
《民族艺术研究》
CSSCI
2016年第6期78-86,共9页
Ethnic Art Studies
关键词
实验戏剧
导演艺术
熊源伟
平民化
experimental drama, directing art, Xiong Yuanwei, plebifieation