期刊文献+

关于救赎的乌托邦想象——兼论美国现代公路电影的乌托邦构想 被引量:1

A Study on the Utopian Imagination of Redemption Concurrent Discussion of the Utopian Idea of American Modern Road Movie
下载PDF
导出
摘要 在文化工业的快速扩张下,艺术与日常生活之间的距离逐渐消弭,其审美救赎的价值与功能亦渐成乌托邦想象。电影作为现代艺术形式,具有最突出的现代性特征——它既是现代技术与工业程序的见证,又是美与艺术的现代/后现代体现。悖论、对立与自反在各种形态的影像中不断彰显,更凸显了艺术救赎的乌托邦性质。 The distance between art and daily life gradually disappears with the rapid expansion of the cultural industry. The aesthetic redeem value and function of art has gradually become a Utopian imagination. As a modern art form,movie has the most prominent feature of modernity. It is not only the testimony of modern technology and industrial processes,but also the modern /postmodern embodied beauty and art. Paradox,opposite,reflexive not only constantly manifest in all kinds of images,but also highlight the Utopian nature of artistic redemption.
作者 徐文松 XU Wensong(School of Humanities, Jiangxi University of Finance and Economics, Nanchang 330013, China)
出处 《重庆交通大学学报(社会科学版)》 2016年第6期60-63,共4页 Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词 艺术审美救赎 日常生活 乌托邦 公路电影 aesthetic redeem daily life Utopian road movie
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部