摘要
在文化工业的快速扩张下,艺术与日常生活之间的距离逐渐消弭,其审美救赎的价值与功能亦渐成乌托邦想象。电影作为现代艺术形式,具有最突出的现代性特征——它既是现代技术与工业程序的见证,又是美与艺术的现代/后现代体现。悖论、对立与自反在各种形态的影像中不断彰显,更凸显了艺术救赎的乌托邦性质。
The distance between art and daily life gradually disappears with the rapid expansion of the cultural industry. The aesthetic redeem value and function of art has gradually become a Utopian imagination. As a modern art form,movie has the most prominent feature of modernity. It is not only the testimony of modern technology and industrial processes,but also the modern /postmodern embodied beauty and art. Paradox,opposite,reflexive not only constantly manifest in all kinds of images,but also highlight the Utopian nature of artistic redemption.
作者
徐文松
XU Wensong(School of Humanities, Jiangxi University of Finance and Economics, Nanchang 330013, China)
出处
《重庆交通大学学报(社会科学版)》
2016年第6期60-63,共4页
Journal of Chongqing Jiaotong University:Social Sciences Edition