女性心灵救赎和个性自由的探索——中国舞剧女编导的女性身份表达

Women's Spiritual Salvation and Individual Freedom—Expression of Women's Identity of Chinese Female Choreographers

中国近现代虽经历"五四"新文化运动和新时期的文化启蒙,女性主义逐渐被人们关注,并以一种积极的方式触及到艺术领域,但在政治、经济、文化领域都没有得到自由民主精神的洗礼的中国,中国女性没能像西方社会那样经历长时间的女性主义运动和文化启蒙,因此说女性的个体解放和自由还没完全自觉,此下谈女性主义是奢侈的。在这样的文化语境中反观中国舞剧女性编导在"红色经典"时期对女性形象的塑造和改革开放后对女性身分的表达的对比,通过解读女性编导舞剧作品中女性人物视角的不同,可以窥见作品人物主体自觉和作品创作主体自觉如何同化的心路历程,意在描述女性舞剧编导在革命文艺向人的主体性的文化启蒙和人文关怀上艺术家所担负的社会责任。

After the May 4th Movement and cultural enlightenment in the new period, feminism had been gradually paid attention to and influenced the art field in a positive way. But Chinese women did not experience the feminism movement and cultural enlightenment as long as the women in Western society. They were not fully conscious of the individual liberation and freedom. In the cultural context, Chinese female choreographers bear the social responsibility of cultural enlightenment and humanistic care through the characterization of female images in the Red Classics Period and expression of female identity after the reform and opening up.