桂北龙脊古壮寨歌圩空间当代建构的二元互动机制

Dual Interactional Mechanism of Modern Construction of Ge Xu Space in Longji Zhuang Ethnic Village in Northern Guangxi

在中国当代因旅游开发等因素而与外界频繁接触的传统聚落中,传统文化嬗变和族群认同危机已成为人类学、建筑学等领域共同关注的严峻话题。桂北龙脊古壮寨的歌圩风俗在近年旅游开发中的重生,因而成为当地壮民与外部群体交流中标识族群身份的重要载体。本文通过人类学视野下的史料研究和田野调查,从动态、互动的视角分析了歌圩风俗的内部传统和外部需求对于建筑空间的影响,最后通过对一座乡土剧场的建筑分析展现了歌圩空间当代建构的二元互动机制。这座"没有建筑师的建筑",或许能为当代族群性研究提供有益的借鉴。

In those historical villages of China which are in frequent contact with the rest of the world for reasons such as tourism development, the transmutation of traditional culture and accordingly the crisis of ethnic identity have become an urgent topic in fields like anthropology and architecture. The recent regeneration of ＂Ge Xu＂ （Song Gathering） custom in Longji Zhuang Eth- nic Village in northern Guangxi has played a major role in the construction of ethnic identity of local Zhuang people. This article analyzes the impact of the inner traditions and outer needs of Ge Xu on architectural space, and then shows the constructive mechanism of Ge Xu space in contemporary background through the study of a newly built vernacular theater. This ＂architecture without architects＂ may offer a useful reference to the study of modern ethnicity.