摘要
笔记小说的"虚构"绝非"荒诞无稽"的"一虚到底",而是"虚中融实"。探讨清代笔记小说中有关少林功夫与少林僧徒文学想象中的"虚中之实",不失为清代少林武术研究的一种新视角。笔记小说赋予少林功夫更多的"表现机会",少林功夫也借笔记小说登上"文人案头",同时少林武术的"真功夫"置换了笔记小说的"真实性",二者是一种良性的互动关系。
The classic Chinese literary sketches are not entirely absurdly groundless; they also contain some authenticity in imaginations. Therefore,it could be a new perspective for the research of the Shaolin martial arts in the Qing Dynasty,to explore the authenticity of literature imagination of the Shaolin martial arts and Shaolin disciples depicted in the literary sketches of the Qing Dynasty. The sketches enable Shaolin martial arts to have more opportunities to demonstrate themselves and present themselves at the elbow of the men of letters. In addition,the real martial arts of Shaolin which were inherited from generation to generation have testified the authenticity described in the literatry sketches.Therefore,they have formed a relationship of benign interaction.
出处
《西南交通大学学报(社会科学版)》
2016年第6期61-67,共7页
Journal of Southwest Jiaotong University(Social Sciences)
基金
国家社会科学基金项目"明清少林武术古籍珍本校释"(15BTY003)
国家体育总局体育哲学社会科学研究项目"民国以来少林武术发展研究"(1862SS13023)
河南省哲学社会科学规划课题"文化强省视域下少林武术文化消费的思考"(2014BTY003)
2016年度江苏省普通高校学术学位研究生创新计划项目"‘非遗’视角下少林功夫的文化生态研究"(KYZZ16_0099)
关键词
清代笔记小说
少林功夫
少林僧徒
文学想象
literary sketches of the Qing Dynasty
Shaolin martial arts
Shaolin buddhist monks
literary imagination