左翼文学论争与左翼作家的主体建构

Academic Debate of Left Wing Literature and Subjective Construction of Left Wing Writers

20世纪20年代中期至30年代后期,是左翼文学论争和理论建设的主要时期,此过程显示出左翼文学与马克思主义中国化之间复杂的审美政治化与政治审美化关系,值得仔细梳理和考辨。左翼文学论争和理论建设的重要议题之一,是对左翼作家阶级性的厘定和对左翼文学创作主体的召唤、规训与建构,其中清晰地表露了左翼知识分子在思考左翼文学创作主体问题时复杂的心态,揭示了此种思考理路中所蕴含的主体建构过程的矛盾与悖论。

The period of academic debate and theoretical construction of Left Wing literature is from Mid 1920 s toLate 1930 s. The process which deserves careful combing and verification, indicates the complicated relationshipabout politicized aesthetics and aesthetic politics between Left Wing literature and Marxism with Chinesecharacteristics. One important issue of academic debate and theoretical construction of Left Wing literature is theidentification for the class nature of Left Wing writers, as well as the summon and discipline for creative subject ofLeft Wing literature. The complicated psychology of Left Wing intellectuals on the issue of Left Wing creativesubject is clearly displayed,and the subjective paradox contained in this train of thought is revealed.