摘要
《水浒叶子》是为马吊设计的标准赌具而并非酒牌,两者在形制和功能上所有区别;《水浒叶子》与《水浒》文本具有多重互文效应,主要表现在三个方面:叶子中的人物排名具有一定的批评含义;叶子中的像赞可以看作画家直接的评语,包括人物论和社会历史批评两方面;叶子图像的设计显示了士人阶层对《水浒》的接受,与像赞文本之间相映成趣。从书法和图像(像赞)的角度蠡测《水浒叶子》的下限最迟应为1627年。
The Water Margin Poker was designed for horse hanging as gambling devices rather than drinking ones,with the difference both in form and function. Compared with The Water Margin,multiple reference effects in Poker lay in figure rankings with the meaning of certain criticism,picture eulogies like the artist's direct comments including character and historical criticism and the image design showing the intellectuals' acceptance of The Water Margin,referring to picture eulogies. Based on evidences of calligraphy and picture eulogies,The Water Margin Poker should be created in 1627 at the latest.
作者
夏朋飞
XIA Peng - fei(Collese of Humanities, Southeast University, Nanjing Jiangsu 210018, China)
出处
《菏泽学院学报》
2016年第6期16-22,共7页
Journal of Heze University
关键词
《水浒叶子》
《水浒传》
文学批评
创作时间
The Water Margin Poker
The Water Margin
literary criticism
creation time