摘要
曹七巧与虎妞是在父权制度和生命情欲双重压抑下的"恶之花",在父权制度与原始情欲双重枷锁的压制下根本无法自主,二人具有同质性;两位作者探索社会、家庭背景和性别意识影响了创作文本视角的异同。剖析其形象异质的根源,揭示出作品社会、文化、心理学层面的深层创作意义。
Cao Qiqiao and Hu Niu were the evil flowers and of the same independent character under the double yoke of the patriarchal system and the original lust. Two authors made the similarities and differences in the perspective of the creation by exploring family background and gender consciousness. The analysis of the root causes of the image heterogeneity reveals the deep creative significance of the social,cultural and psychological aspects of the works.
作者
邵艺
SHAO Yi(Qingdao TV & Broadcast University, Qingdao Shandong 266012, China)
出处
《菏泽学院学报》
2016年第6期33-35,52,共4页
Journal of Heze University
关键词
双重枷锁
恶之花
畸形
创作视角
double yoke
flowers of evils
deformity
creation perspective