摘要
中山篆有一种点具有特定文化内涵的;中山篆中涡旋线和S线的运用,不但具有特殊的精神象征而且充分体现了中山人特有的审美理念;中山篆的结字遵循"站七坐五蹲三半"的比例和黄金分割律,表明中山人对书法艺术的审美大觉醒。中山篆是扎根于战国文化轴心时代易学、哲学和儒学等文化土壤中的书法艺术里的一朵奇葩。
Zhongshan of Martensite has a kind of point with specific cultural connotation,in which the vortex line and S line not only have a special symbol of the spirit but fully embody the unique aesthetic concept of calligraphers. Its unique structure proportion to the Golden Rule shows calligraphers' aesthetic awakening to the art of calligraphy. Zhongshan of Martensite is like an exotic flower rooted in Changes,Philosophy and Confucianism Culture in the Warring States Period.
作者
张海同
ZHANG Hai - tong(Department of Arts, Heze University, Heze Shandong 274015, China)
出处
《菏泽学院学报》
2016年第6期140-142,共3页
Journal of Heze University
基金
2014年菏泽学院人文社会科学研究项目"中山王器艺术价值研究"研究成果
关键词
中山篆
点
线
审美观念
Zhongshan of Martensite
point
line
aesthetic concept