若即若离——从龙美术馆的空间组织逻辑谈起

Wandering between Close and Apart:A Spatial Logic of Atelier Deshaus

从龙美术馆的"伞拱"结构及其空间组织逻辑谈起,通过与一些类似的案例比较,指出其具有"独立单元,同类重复,自由布局,若即若离"的特点。追溯单元聚合式空间组织逻辑在结构主义建筑师和勒·柯布西耶的作品中的表现形式,指出作为一种占据空间的主要方式,它更注重聚集与离散之间的关系,以此形成空间张力。进而梳理大舍作品,指出以城市肌理思考建筑设计,是其一贯坚持的方向之一,其根源在于对城市肌理或自然聚落的内在生成机制的思考与提炼以现代设计语言转化之,手法逐渐从显到隐,与传统保持若即若离。

Comparing with some similar cases, this paper points out that ＂independent units, repeatable arrangement, free layout, close and apart＂ are the four characteristics for the ＂vault-umbrella＂ structure in Long Museum West Bund and its spatial organization logic. Tracing back to the spatial logic of units aggregation in such genre as structuralism and Le Corbusier＇s works, we explains that as a main way for conceiving space, it pays more attention to the relationship between aggregation and dispersion than to the form of individual building, thus creating a great deal of space tension. A comprehensive review of the works of Atelier Deshaus reveals that conceiving architectural design from urban fabric is one of their main methodology, which is based on the analysis of generative mechanism on urban fabric or natural settlement. With modern architectural language, their design techniques change gradually from explicit to implicit, keeping separated while seemingly adhered with tradition.