从西方到东方:当代中国芭蕾古典精神的保留与民族特色的创新

From the West to the East: Reservation of Classical Spirit and Innovation of National Characteristics in Contemporary Chinese Ballet

芭蕾舞艺术从西方漂洋过海来到中国,在经历了婴儿期、启蒙期和如今正在进行时的成长期,其所经历与不断演变的中国芭蕾形象真身依然是以把握古典精神和建构民族特色为己任。本文通过审视和提炼芭蕾艺术中传统古典精神的源头,以历时的线索把握芭蕾进入中国本土化后,在中西语汇融合和创新上的成就与不足,进而提出在思想和身体实践上要走出藩篱,给予艺术经典以当代延展的可能性,发展"世界性"和"本色"交融建构的中国芭蕾形象,同时要与树立中国芭蕾艺术"多元文化观"并行不悖。

Originating from western countries, Chinese ballet has undergone its infantry, enlightening period and come to growing period at present. The main task of Chinese ballet image building is to grab the essential classical spirit and construct its own national characteristics. The paper investigates the sources of traditional classical spirit in ballet, analyzing its mergence in both western and eastern languages diachronically and pointing out its achievements and shortcomings up to now, in order to meet the need of Chinese ballet to break the routine, bridge the past and present, develop the Chinese ballet images with internationality and individuality, and establish the muhiculturalism within its development.