日本传统染织艺术之旅——以东京、冲绳两地为例

The Traditional Japanese Textile Art Journey——A Case Study of Tokyo and Okinawa

通过对多家日本艺术类院校、博物馆、个人工房及行业协会的调研和走访,分析在东京和冲绳两地起源、发展并保留至今的,以友禅染、江户小纹、红型、首里织、读谷山花织、芭蕉布为代表的日本传统染织艺术。对比不同工艺的制作流程、形式特点、艺术风格与历史源流,阐述了日本与中国、东南亚各国传统染织艺术的密切交流。研究认为,对日本传统染织艺术的历史和现状进行梳理,对于思考和定位现代社会中传统染织艺术的角色有着现实意义。

Through the investigation of a number of Japanese art schools, museums, and industry associations and individual studio visits, this paper analysis the representative of Japan traditional textile art which has been originated, developed and preserved in Tokyo and Okinawa regions. Like Yuzen, Edo komon, Bingata, Shuri Hana ori, Yuntanza Hana ori, Basho-fu and so on. By comparing the different technology of production process, characteristics and forms of artistic style and historical origin, the paper expounds the close relationship among Japan, China, and southeast Asian countries in traditional weaving art. Research consider to review the history and current situation of Japanese traditional textile art, has a practical significance for thinking and positioning its role in modern society.