论苏轼题画诗表现方式的特点及典型意义

The Features and Significance of Expression Method of Su Shi's Poems with Painting as Its Description

题画诗在从唐到宋的发展中,经历了从咏物式的写画到更注重发掘和表现画面意趣的演变过程。苏轼题画诗作为宋代题画诗的代表,突出体现了题画诗表现方式的变化:他以在诗歌中创造完整画面和意境的方式表现绘画形象;以动机—主题的方式在题画诗中展开议论说理,建构起广阔深远的意义空间;通过文献典故与画面的巧妙勾连为题画诗增加文化景深。这些做法不仅集中反映出题画诗由唐之"重形"向宋之"重意"的转变,更代表了这种转变所达到的艺术水平。

Poems with painting as its description has changed from chanting paintings in Tang dy-nasty into exploring new meanings and expressing poets' understanding of the paintings in Song dy-nasty. The expression method of these poems had changed as well. Su Shi's poems of paintings wererepresentatives of Song dynasty. He created new pictures and performed imagination in his poems. Hereasoned things out in the mode of motive-theme so as to construct new meaning space. Also he cit-ed allusions to develop the cultural intentions of the poems. The expression method of Su Shi's po-ems with painting as its description not only embodied the change of this type of poetry, but alsorepresented the high level of this type in Song dynasty.