摘要
在2015年路遥文学奖评选过程中,《花村》以其对"巨变中的当下中国乡村疼痛"的叙述受到高度关注。仡佬族女作家王华以"乡村"为叙事基点,以独特的艺术视角,着重描写了20世纪90年代城乡大变革背景下,花村的留守妇女在丈夫集体进城务工后所遭受的灵与肉的折磨,完成了对历史缝隙中女性的身体与命运的叙事。"直面现实"和"文化批判"是作者在《花村》中完成的两个主题性想象域。
In the electing process of 2015 Lu Yao＇s Literary Awards,Hua Cun has been highly regarded due to the writing about the pain of great changes in China＇s rural. Gelo minority ehtnic writer Wang Hua views the ＂country＂as the basis of narrative,and describes the left behind women in the Hua Cun who suffer the pain from the spirit and flesh after their husband＇s collective work in town in the background of the great change of the ninety＇s urban and rural areas. Finally,the narrative of the body and fate of women in the history gap is completed. In this paper,two aspects of ＂facing the reality＂and ＂cultural criticism＂are discussed.
出处
《忻州师范学院学报》
2016年第6期19-21,共3页
Journal of Xinzhou Teachers University
关键词
《花村》
直面现实
文化批判
Hua Cun
facing the reality
cultural criticis
