大视阈研究和个案异读——川剧聊斋戏与《荷花配》研究探绎

Literature Review of Sichuan Opera Hehuapei—— Macroscopical Study of Sichuan Opera and Case Study of Hehua- Sanniangzi

《荷花配》是清末川剧的传统剧目,本事源于《聊斋志异·荷花三娘子》,属川剧聊斋戏。目前学界对《荷花配》单个剧目的关注很少,而与其关系较为紧密的研究大致可分为两个方面:一是已经发展较为成熟的川剧聊斋戏研究,有一些论文发表,相关专著已经出版,为《荷花配》的个案研究提供了大视阈;二是《荷花配》的本事聊斋故事《荷花三娘子》的研究,集中在形象研究、主题研究、空间研究等方面。

Hehuapei, one of the traditional Sichuan Opera in the late Qing dynasty, was transformed from a LiaoZhai story named Hehua -Sanniangzi, which gained little attention on its single play. However, the relative research on Hehuapei can be divided into two aspects. Firstly, macroscopical study of Sichuan Opera has been developed into a maturity stage and some papers and monographs have been published. Secondly, a case study of Hehua -Sanniangzi focuses on its images, theme and space.