论“意境”理论的重构及其对重建中国文论的启示

“Theory of Artistic Ambience”Reconstruction And Its Enlightenment on the Reconstruction of Chinese Literary Theory

中国现代美学家对"意境说"理论的建构基本上是按中西互释的路径来进行的,然而罗钢教授在《意境说是德国美学的中国变体》一文指出中国现代美家所走的阐释道路却陷入了自我他者化的悖论,在传统现代化进程中形成了他者的误认。因此,以罗钢先生的论争为契机,梳理意境理论建构,重新审视中国文论话语的现代性转换这一命题的出路。通过对中国现代美学家关于"意境说"的阐释历程的爬梳,进一步揭示在意境作为一种理论建构之壳对重建中国文论的启示。

Chinese modern aesthetician consider that ＂theory of artistic vision＂construction is basically conducted by mutual interpretation of Chinese and Western path,professor Luogang,however,pointed out that China＇s interpretation of the modern aesthetics＇ road is trapped in the paradox of self-other,traditional formed his mistake in the process of modernization in his Theory of Artistic Vision： A Chinese Version of German Aesthetics. Therefore,Mr. Luogang controversy as an opportunity to comb theory constrnction,reviewing the modern transformation of Chinese literary theory discourse this way. Through the modern aesthetics of China on ＂theory of artistic vision＂ interpretation of course climb the comb,to reveal the conception as a theory and its enlightenment on the reconstruction of Chinese literary theory of construction of the shell.