卡洛·斯卡帕建筑作品及其空间观念分析研究

Study on Carlo Scarpa's architectural works and the ideas of space

卡洛·斯卡帕的建筑作品表现为断裂的、并遵从并置的组织模式,在节点的关注与组织模式上呈现片段性。开展卡洛·斯卡帕的建筑作品及其空间观念分析研究是评价其建筑作品与思想的前提与基础,对现代建筑空问研究也具有重要参考价值。文章通过对斯卡帕断片建筑作品中的断裂表达方式及其建筑要素的并置组织模式的分析,指出其建筑设计中的异质性思维及平行的、同时性的要素关系;基于卡洛·斯卡帕建筑作品的特点,通过对其建筑思想的阐释以及与普鲁斯特文学作品的对比研究,阐明了斯卡帕将空间处理为空白与扁平的空间观念及其与现代主义建筑观的分离。对卡洛·斯卡帕建筑的研究应注重其与当前观念的不同,并遵循斯卡帕自身的思想与认知进行其建筑的研究评价,而不应拘泥于现代建筑的空间观念。

Carlo Scarpa＇s architectural works were presented disjunctive and followed the organization pattern of juxtaposition, represented fragmentary at the point of attention on the joints and the pattern of organization. The study on Carlo Scarpa＇s architectural works and ideas of space is the base for criticizing Scarpa＇s architectural works and thoughts, and also an important reference for the studies on space of modern architectures. Through the analysis of the disjunctive present and juxtapose organization pattern in Scarpa＇s fragmentary architecture, the alloplasm thoughts in Scarpa＇s design and the parallel and simultaneous relationship between the architectural elements were pointed out. Based on these features, through the interpretation on Scarpa＇s architectural thoughts and the comparison with Marcels Proust＇s literature, Carlo Scarpa＇ s ideas of space which dispose the space as blank and flatness and the separation from the modernism idea was interpreted. The researches on Carlo Scarpa＇s architecture should consider its difference with the current idea, and should separate from the idea of space of modern architecture, follow Scarpa＇s own thoughts and ideas to study and evaluate his architectural works.