摘要
死亡作为个体生命的最终归宿,与悲剧有着天然的因缘。新时期满族作家的中短篇小说创作呈现多种死亡叙述,这是满族作家死亡情结的自然表征。通过观照新时期满族作家的小说创作,归纳死亡的书写模式,分析作家死亡情结的成因,探讨死亡情结的审美意蕴,以此对满族文学进行整体性的审视。
The final home of death as an individual life, has a natural affinity with tragedy. Manchu writers' short stories in the new period present a variety of death narrative, which is the natural representation of manchu writers' death complex. Through the reflection on the manchu writers' creation in the new period, this paper summarizes the writing pattern of death, analyses the cause of death complex and explores the aesthetic implication of death complex to review the integrity of the manchu literature.
出处
《辽宁师范大学学报(社会科学版)》
2017年第1期29-34,共6页
Journal of Liaoning Normal University(Social Science Edition)
关键词
新时期
满族作家
小说创作
死亡情结
悲剧意识
the new period
manchu writers
novels creation
death complex
tragic consciousness