摘要
端砚之所以魅力独具,关键之点在于石品。端砚石品丰富多姿,加之手工艺人、文人墨客在长期的制砚、赏砚过程中赋予了石品独特的文化意蕴,因此端砚设计在某个层面上言就是对石品文化意蕴的发掘、阐释与表达,当然,这种发掘、阐释和表达需要依据石材自身的品味、花纹以及设计师的艺术体验、艺术构思与艺术传达。
Duanzhou inkstone, one of the most charming ink-stones in China, is famous for its unique markings on the surface. The markings on the surface of Duan inkstone are various. During a quite long period of production and appreciation, those artists and poets who love the Duan inkstone gave the cultural implication to ink-stone markings. To a certain extent, the design of Duan inkstone is to explore, elucidate, and express the cultural implication of the markings on the surface of ink-stone; and for sure, it shall be based on the taste, figure as well as the artistic experience, idea, and transformation of the designers.
出处
《设计艺术研究》
2016年第6期46-48,54,共4页
Design Research
基金
2014年广东省普通高校青年创新人才类项目(人文社科)<高职院校艺术设计类专业师生协同创新能力拓展训练实践与研究>(2014WQNCX189)阶段性成果
关键词
端砚设计
石品
文化
意蕴
Duan inkstone design
markings on the inkstone surface
culture
implication